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  • 11

    Vuk Jevremović / 5 min 28 sec / Croatia, Germany

    Three masters of football. They can perform wonders during the match and score impossible goals. But what happens in their heads when they are about to take penalty kicks? In his audiovisually intensive film, Jevremović looks for a parallel between sport and society-wide frenzy.

  • The Island of the Dead

    Vuk Jevremović / 7 min 30 sec / Germany, Spain

    This disturbing film again utilises many artistic approaches and animation techniques. It also combines several influences. Inspired by Kafka’s story In the Penal Colony, a famous painting by Arnold Böcklin and drawing a parallel to Soviet Russia, the film takes us to a strange place where a soldier is about to be punished for insubordination. The punishment will be carried out by a machine which will engrave the committed crime (as a text) on the man’s back so that he feels it ‘on his own skin’.

  • Diary

    Vuk Jevremović / 10 min 23 sec / Germany

    After two ‘animal’ films, Diary takes us into the seemingly dull reality of an ordinary person living in a city. Thanks to animated street flythroughs, their commute to work turns into a fascinating spectacle. In ten minutes ‘the camera’s eye’ stops only for a few moments when the depicted scene is projected onto the author’s canvas.

  • The Wind Subsides

    Vuk Jevremović / 4 min 32 sec / Germany

    With its varying style, this dynamic impression evokes the fleetingness of the moment. A running animal, wind blowing through the landscape, a human face…  The ensemble of several artistic techniques oscillating between abstract and specific depiction is held together by the character of the score, which at the same time drives the superbly animated metamorphoses forward like a cheetah in pursuit of its prey.

  • Fly By

    Filip Dobeš / 2 min 53 sec / Czech Republic

    Fly By tells the story of a plane flying through a cloud. A seemingly banal everyday situation results in some unexpected moments. Even a poetic white cloud can get angry, turn black and eventually become a storm cloud. What can happen in such case? And can the pilot and the cloud become friends after all?

  • Juniore: Méditerranée

    Clement Soulmagnon / 3 min 40 sec / France

    Dive into the sunny memories of the French Riviera with ‘Méditerranée’. This animated music video by Juniore, nostalgic for carefree days in Nice, guides us to a lively cove. Vibrant illustrations depict a woman on a bike, discovering the sea’s magic. An ode to the Mediterranean’s beauty and tranquillity.

  • Laibach: No History

    Vuk Jevremović / 3 min 17 sec / Germany

    In the first official music video Jevremović has made for his favourite Slovenian band, he combines real footage of dismal urban locations with his frenetic drawings in the spirit of the song. We can see his favourite animal motifs which can, however, carry a political subtext this time. The music video is framed by a telling motif of a child’s hand.

  • Narcomat: Wrox

    / 3 min 24 sec / Czech Republic

    For this music video for Czech artist Narcomat, who focuses on experimental electronic music, the director created individual animation phases (frames) on a sewing machine. The resulting abstract geometric shapes interact with the music and slowly reveal this unusual animation technique.

  • Patience of the Memory

    Vuk Jevremović / 6 min 31 sec / Germany

    A confession of love to a city that has suffered a lot. Depicted by many artists, the city was destroyed many times throughout centuries. Just as the events have transformed the place, the director paints over one layer of paint with another, again and again. But the memory of the place remains. A romantic and expressive journey through the history of Dresden.

  • Treska Jednoskvrnná: Mrakomor

    Jonáš Urbánek / 4 min 11 sec / Czech Republic

    A story about the fearless five-piece Prague band Treska Jednoskvrnná, which sets off to destroy the dangerous warlock Mrakomor. The humorous combination of stylised live action and stop-motion animation foreshadows the subversive nature of the story: is Mrakomor really as dangerous as the stories would have us believe?

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