Maria Lorenzo

An inconvenient truth: the Western fashion industry is based on forced child labour in the Third World. Will you still consent to it? Fashion Victims 2.0 is the animated recreation of the mural painted by ESCIF in January 2022. The animation short film stresses the nonsense of our unsustainable consumption habits.

An inconvenient truth: the Western fashion industry is based on forced child labour in the Third World. Will you still consent to it? Fashion Victims 2.0 is the animated recreation of the mural painted by ESCIF in January 2022. The animation short film stresses the nonsense of our unsustainable consumption habits.

Film documents the presence of urban art in various neighbourhoods of Valencia, Spain, between 2018 and 2019. In the film these pieces of ephemeral art are animated, connecting each image in continuity like the frames of a film. All these faces look at us with widely opened eyes, as if they tell us that we exist, but we might not exist – and the world would go on.

Film documents the presence of urban art in various neighbourhoods of Valencia, Spain, between 2018 and 2019. In the film these pieces of ephemeral art are animated, connecting each image in continuity like the frames of a film. All these faces look at us with widely opened eyes, as if they tell us that we exist, but we might not exist – and the world would go on.